Most recalls are voluntary and initiated by the companies, though the agencies can request or mandate the action. The agencies then determine whether recalls are necessary. “It is economically impractical to grow, harvest or process raw products that are totally free of non-hazardous, naturally occurring, unavoidable defects,” the agency wrote.īoth the USDA and FDA ask companies to promptly notify them when food is potentially contaminated with objects that may harm consumers. Some contamination may even be expected, the FDA acknowledges in a handbook. A website screen grab shows the Banquet Brand Frozen Chicken Strips meal, which was recalled by ConAgra Brands on Sept. So are rocks, sticks and bugs that can make it from the field to the factory. Plastic pieces from frayed conveyor belts, wood shards from produce pallets, metal shavings or wire from machinery are all common. coli bacteria.Īnd the size of recalls can reach into the millions: In 2019, USDA reported 34 recalls of more than 16 million pounds of food, spurred in large part by a giant recall of nearly 12 million pounds of Tyson chicken strips tainted with pieces of metal. “Extraneous materials” triggered nine recalls in 2022 of more than 477,000 pounds of food regulated by the US Department of Agriculture’s Food Safety and Inspection Service - triple the number of recalls tied to food contaminated with toxic E. 2, 2023, due to possible foreign matter contamination. Department of Agriculture shows packaging for Banquet Brand Frozen Chicken Strips which was recalled by ConAgra Brands on Sept. This combination of photos provided by the U.S. And while no one wants to bite down on stainless steel in peanut butter or bone fragments in smoked sausage, this type of contamination is one of the top reasons for food recalls in the US.įood safety experts and federal agencies use the terms “extraneous” or “foreign” materials to describe things like metal fragments, rubber gaskets and bits of bugs that somehow make it into packaged goods. In recent weeks, US consumers have seen high-profile food recalls for an unappetizing reason: They’re contaminated with foreign objects that have no place on a dinner plate. Pieces of plastic in Banquet frozen chicken strips.
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So, no garden will ever truly be deer-proof. But if a lean winter or drought has made for slim pickings, deer will eat what’s available. Sure, they have their favorites, and there are many plants that they will avoid. Is it green? Is it vegetation? Chomp-chomp-chomp. (Not so majestic now, are you, Bambi!) Maybe a more appropriate comparison is with goats because, like goats, deer will eat most anything in their path. It helps if you think of them as the cows of the forest. Then, the magic of the moment kind of wears off, and the swearing and banging on the window begins.ĭeer are natural-born grazers. Well, until they start eating all my flowers. And let me tell you, there’s nothing quite like getting up early in the morning, hot cup of coffee in hand, and watching a doe and her spotted fawns step gingerly from the forest covering to come and drink from the fog-covered pond. We have an impressive rotation of critters that pass through the yard. My sweetie lives on a plot of land surrounded by state game lands. Instead, you can make your flower beds less appealing by planting a few of these deer-resistant bulbs this fall. Keeping deer in check can be a real struggle.įencing in your veggie garden is an easy way to keep them out, but what about flower gardens? Fenced-in flower beds kind of kills the point of the natural beauty they’re meant to display. Oh, you mean you didn’t plant these apple trees for us? What do you mean your flower bed isn’t a salad bar? Pfft, rude. These four-legged-munching-machines will graze, uninvited wherever you grow veggies, flowers or fruit. Our Quilt Shop features more than 1,000 handmade quilted items from Amish, Mennonite and other local artisans.Anyone who gardens in even the slightest rural area can attest that there is no such thing as a deer-proof garden. Hope Winery and The Bible History Exhibit. After exploring our Gift Shop, head over to Locally Made Food Shop, our Quilt Shop, Ruthie’s, Mt. If you’re waiting for a table, you’ll be able to hear your ticket number throughout the property. There’s more to Miller’s than great food, so plan on spending a little time in our shops. We’re PA Preferred, AAA Recommended, Reader’s Choice and ServSafe Award Winners.ĭon’t go home empty handed. We get supplies like sweet corn, tomatoes, watermelon, cabbage, broccoli, squash, peppers and onions from Amos, Ben, Manny and Elmer, our Amish neighbors, whose farms surround our restaurants. At Miller’s, we cook from scratch and prepare meals that you want to tell your friends about. Many order supplies from their headquarters and prepare meals that are nice and predictable. There are 235,000 chain restaurants in the U.S. If you miss Miller’s, you miss Lancaster County. Today our tried & true recipes may not be as simple, but they are prepared with the freshest ingredients … and they are still served up with a smile. It was a simple dish, but it was always served up with a smile. Over 90 years ago, Anna Miller served chicken & waffles to truckers as her husband repaired their rigs. We appreciate your patience and do recommend making a reservation well in advance of your arrival. Walk-ins are welcome, but during peak dining hours we may experience wait times. Make your reservation online here, go to RESY or call 1-80. Reservations are recommended and receive priority seating. Recently featured on under “The One Thing You Have to Eat in Every State (PA)”. Seeing all of this together, you may naturally see that the absolute ideal case scenario is to use your ultimate on a slowed target, while the talent is in effect to give the ultimate the bonus resistance penetration as well. The ultimate itself is a big single-hit with a good multiplier that becomes a great multiplier if the target is slowed. The reason you want to apply the slow is because of the bonus damage that his ultimate gains against slowed enemies. Given that it’s a multi-hit action, you have several opportunities within that one action to apply the slow. His skill deals its damage in several hits, and has a 100% base chance to apply a 12% slow to the enemy for 2 turns upon scoring a critical hit. It is somewhat unfortunate that Dan Heng is unable to trigger his own talent, but you’ll be glad to know this isn’t much of an issue later into the game you will need to be more diligent with your ability usage, and you’ll have more characters that have ways of targeting the whole party, and so Dan Heng’s talent will naturally get triggered without too much effort. On a primary damage dealer, getting access to resistance penetration for your attacks is rare and invaluable in both dealing more damage, and scaling up to continue dealing that damage at higher character and investment levels. Dan Heng needs to be explicitly targeted by an ally, so the passive shielding of Preservation Trailblazer is insufficient to trigger this talent. Whenever he is the explicit target of an ally ability (as in, there is a blue reticle over Dan Heng), his next attack gets a substantial amount of Wind RES PEN, and has a cooldown of 2 turns. March 7th and Dan Heng have synergy together, and that’s due to Dan Heng’s talent. Thankfully he remains exceptionally useful even throughout the later activities such as Forgotten Hall, as, being a Hunt unit, he’s very well tailored to dealing with strong single enemies or bosses, and he scales very well, well enough to be used very successfully even against neutral enemies. Captain Broody is a remarkably reliable teammate for dealing with the plethora of wind-weak enemies you’ll be facing throughout most of the early and mid game. Each is an expression of grace performed within limits each an art weighted by history but malleable enough to form something utterly new.” Regarded as her most ambitious work to date, Sonata Mulattica is a poetic treatise on the life of nineteenth-century, biracial violinist George Polgreen Bridgetower and his friendship with Ludwig van Beethoven.ĭove’s many other honors include the 1996 Heinz Award in the Arts and Humanities, the 2003 Emily Couric Leadership Award, the 2006 Commonwealth Award, the 2007 Chubb Fellowship at Yale University, the 2008 Library of Virginia Lifetime Achievement Award, the 2009 Fulbright Lifetime Achievement Medal, the 2009 International Capri Award, and the 2014 Lifetime Achievement Award from the Furious Flower Poetry Center at James Madison University, the 2019 North Star Award from the Hurston/Wright Foundation, as well as twenty-eight honorary doctorates, among them from Yale University in 2014 and Harvard University in 2018. Says Emily Nussbaum of the collection, “For Dove, dance is an implicit parallel to poetry. In American Smooth, she reflects on her experiences with ballroom dancing. She also edited The Best American Poetry 2000 (Scribner, 2000), The Penguin Anthology of Twentieth-Century American Poetry (Penguin, 2011), and the New York Times Magazine’s weekly poetry column from 2018–19.ĭove’s work traverses a wide range of landscapes, applying an unflinching eye upon historical and political events. In addition to poetry, Dove has published a book of short stories, the novel Through the Ivory Gate (Pantheon, 1992), and numerous essays. Norton, 1999), named a New York Times Notable Book of the Year and a finalist for the National Book Critics Circle Award and Thomas and Beulah (Carnegie-Mellon University Press, 1986), which won the 1987 Pulitzer Prize for Poetry. Norton, 2009), winner of the Hurston/Wright Legacy Award On the Bus with Rosa Parks (W. Norton, 2016), recipient of the 2017 NAACP Image Award, the 2017 Library of Virginia Award and a finalist for the 2016 National Book Award Sonata Mulattica (W. She then studied German poetry as a Fulbright scholar at Universität Tübingen before getting an MFA in creative writing from the University of Iowa.ĭove’s books of poetry include Playlist for the Apocalypse (W. A poet and writer, she was a high school Presidential Scholar and graduated with a BA in English from Miami University of Ohio in 1973. Rita Dove was born in Akron, Ohio, on August 28, 1952. These plaster outlines preserved the voids left by the bodies giving a glimpse into the tragic destructions that took so many people at once. They let the plaster harden, then chipped away the outer layers of ash, leaving behind a cast of the victims at their time of death. After discovering the air pockets that indicated the presence of human remains in a street dubbed “the Alley of Skeletons”, Fiorelli and his team decided to pour plaster into the voids. It wasn’t until the 18th century excavations that Italian archaeologist Giuseppe Fiorelli came up with an idea for reconstructing the bodies. When the skin and tissues of these bodies eventually decayed, they left voids in the layer of ash around them in the exact shape of their final moments. Buried 6 metres deep in ash which calcified over the centuries, the bodies of Mount Vesuvius’s victims were preserved in a protective shell of ash. With the sudden ferocity of the eruption which destroyed buildings and monuments, people died almost instantly, as seen by the bodily forms left behind. How are the Body Casts Formed?ĭuring the volcanoes eruption, people were hit by rocks and fallen debris, chocking on gas and fumes, sometimes dying instantly from the heat. Those who didn’t make it out in time are still gazed upon today thanks to the plaster casts that have taken the shape of their bodily forms. This means that the vast majority of the city of 20,000 fled at the first signs of the volcanic activity, making for the sea. About 3/4 of Pompeii’s 165 acres has been excavated, and some 1,150 bodies have been discovered out of an estimated 2,000 thought to have died in the disaster. The layers of calcified ash, which had taken the lives of Pompeii’s citizens, had also preserved them. Miraculously, the two cities were nearly perfectly preserved, lingering on in the same way Mount Vesuvius had left them. Pompeii and its neighbouring village of Herculaneum were only discovered by accident during the construction of King Charles III’s Bourbon’s Palace in 1738. They unearthed artefacts, buildings, as well as human remains. This is not the only volcano that has erupted, but it is the only one to have opened a window to the past. The city’s rediscovery began in the 18th century, with hundreds of archaeologists from all over the world flocking to Pompeii to study the ancient world. Its paved streets would be lined with shops, brothels, fast-food venues and bakeries. Influenced by the Greeks and a popular holiday destination for the Romans, Pompeii was unique in its lustrous lands, bustling market life and trading success. And so the once rich and prosperous city was no more. Pompeii and its small neighbouring village of Herculaneum disappeared. The next morning, the cone of the volcano collapsed, triggering a hundred mile an hour avalanche of mud and ash that flooded Pompeii, destroying everything in its path. The ash rained down on the city, choking its citizens and blinding them in their desperate last-minute attempts to escape. The mountain spewed ash hundreds of feet into the air for 18 hours straight. With tremors warning the people of Pompeii prior to the eruption, this roar was the only thing to get people’s attention, but it was too late. The History of PompeiiĪt noon Mount Vesuvius roared. It does transport us though, back in time to the crumbling ruins of Pompeii which began to fall in the morning of August 24th (the exact date is up for debate), resulting in the death of over 2,000 people. This ancient voice reaches out to us as the only eye-witness account of the eruption, and even then, we do not know how accurate the information is. He confides all of this in two letters he writes to a friend which were discovered in the 16th century. Whilst staying with his uncle, Pliny sees the aftermath of the volcano’s eruption, watching its dark black smoke from his uncle’s window. These are the words written by Pliny the Younger, a lawyer, author and magistrate of ancient Rome who offers the only eye-witness account of the Vesuvius’s eruption. Many besought the aid of the gods, but still more imagined there were no gods left, and that the universe was plunged into eternal darkness for evermore.” “You could hear the shrieks of women, the wailing of infants, and the shouting of men some were calling for their parents, others their children or their wives, trying to recognise them by their voices. But do you know who made these casts? And just how they did it? Who made the plaster casts at Pompeii? You’ve probably seen pictures or have heard of the plaster cast forms of the fallen victims from Mout Vesuvius’s eruption in 79 AD. If you are creating an open source application under a license compatible with the GNU GPL license v3, you may use this project under the terms of the GPLv3. Purchase a lightgallery.js Commercial License at /posts/lightgallery-js Open source license CDN If you prefer to use a CDN you can load files via jsdelivror cdnjs Here is the jsdelivr collectionof lightGallery and its modules. With this option, your source code is kept proprietary. If you want to use lightgallery.js to develop commercial sites, themes, projects, and applications, the Commercial license is the appropriate license. It is easy to create your own modules, as well as detach modules that you dont want to use. If you like lightgallery please support the project by staring the repository or tweet about this project. Lightgallery comes with a few built in modules, such as thumbnails, full screen, zoom, etc. An array of objects ( src, iframe, subHtml, thumb, poster, responsive, srcset sizes) representing gallery elements. getElementById( 'lightgallery ')) Support lightgallery LightGallery can be instantiated and launched programmatically by setting this option to true and populating dynamicEl option (see below) with the definitions of images. There are 35 other projects in the npm registry using lightgallery. Start using lightgallery in your project by running npm i lightgallery. Latest version: 2.7.1, last published: 7 months ago. I found a workaround to that, I'll post it below since this was the only post about the topic I found and it can help someone in the future.LightGallery( document. lightGallery is a feature-rich, modular JavaScript gallery plugin for building beautiful image and video galleries for the web and the mobile. Many Git commands accept both tag and branch names, so creating this branch may cause unexpected behavior. if the gallery was opend while the page was still moving (smoothing), after closing, it jumped to the point where smoothing would end. A tag already exists with the provided branch name. create a responsive lightbox Image Gallery Using HTML, CSS and JS.lightgallery.js library tutorial.responsive image gallery with magnify popup image effect.l. What did work was setting smooth() to 0 in onBeforeOpen and setting it back to a desired value in Lightgallerys onBeforeClose hook. ScrollSmoother.paused(true) in Lightgallerys onBeforeOpen hook didn't help, it paused on position 0. This occurred only when opening Lightgallery for the first time (still not acceptable ). lightGallery is a feature-rich, modular JavaScript gallery plugin for building beautiful image and video galleries for the web and the mobile. Before closing Lightgallery, the page jumped to the top and then scrolled back to the gallery container. I had sort of a similar problem in Nuxt3 with Lightgallery and ScrollSmoother. Lightgallery is a lightweight modular responsive jquery light box gallery, which allows you to create beautiful image & video galleries. See the Pen PoBqpeO by akapowl ( on CodePenĪlso, if you update the lightGallery version you are using to at least version 2.5.0, apparently an option comes available that lets you prevent the resetting of the scroll-position altogether which would likely make the blocking of the scroll unneccessary to begin with. Here is a link to the events available with lightgallery: You will need to find the event working best for you, to toggle ScrollSmoother.paused() at the right time, if you want to disable the scroll while the gallery is open. I can see the issue described, but as Rodrigo mentioned, you will definitely need to update your GSAP version first and yes, it looks like it is a problem because you can scroll while the gallery is open, and when it closes it will move back to the position it was before opening (or something along those lines). |
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